Saturday, December 17, 2016

Publications of 2016

So I guess this is the time of year that we tally up what we have published over the year. And, despite how rotten the year has been going, I think this is my personal best in terms of what I managed to get published! Now if only that translated into academic publishing, too. 


"Sweetness and Light" was published in the inaugral issue of recompose magazine! It is a poem about a young woman who literally spews forth sweetness and light when she speaks, and her sense of degradation when other people feel entitled to her. It is 50 lines, so eligible for Best Long Poem Rhysling. 

Short fiction:

"Anak Sungai" was published in Truancy, a little story about a river meeting various forest animals as she goes out to sea. There is one animal she wants to find but he is a tricky one. 

"Crocodile Tears" was published in Lightspeed Magazine, a retelling of two Malaysian folktales: one of Si Tenggang, the faithless son, and the other tale explaining why a river is free of crocodiles. This was my second pro sale!

"Mana Langkah Pelangi Terakhir? (Where is the Rainbow's Last Step?)" was published in Interfictions, thanks to guest editors Sam J. Miller ande Carmen Machado. A journalist following a lede for the miraculous things that happen finds a long-lost local celebrity. This was my third pro sale and I am now SFWA-eligible as a result! 

"A Name to Ashes" is in the anthology Hidden Youth: Speculative Fiction from the Margins of History. It draws on the coolie trade in Cuba for inspiration. It was possibly the hardest to research and write, emotionally. If you want to consider this for something, try to buy the anthology! But if you can't for whatever reason, email me and I'll get the story to you. 


I reviewed Everfair by Nisi Shawl for Strange Horizons! Most of my non-fiction energy has been going towards my academic writing, though.

I presented a paper on feminist utopias at the Inaugral Utopian and Science Fiction Studies Conference organized out of Beijing Normal University.


The Sea Is Ours: Tales of Steampunk Southeast Asia is now available in Southeast Asia, courtesy of Gerakbudaya who bought the rights to publish and distribute it in the region! I'm very happy about this. 


Writing-wise, in the first few months of the year, I re-wrote a dissertation chapter and a new chapter in a single quarter, and a third chapter in the spring quarter. I am now currently struggling to write the last chapter, so I can be on schedule to graduate in spring 2017. It is very hard, because it is a departure from the critique I've been making throughout the rest of the dissertation into something optimistic, and I've not really been in the mood for optimism. 

I also attended the Clarion Science Fiction and Fantasy Writing Workshop in summer this year, in which I produced six short story drafts. I've already sold one, and have another one I'm fairly happy with. Clarion gave me a chance to be in a writing-intensive space for several weeks, bouncing off ideas from incredible people. It was also my first opportunity in collaboration. 

I am editing the WisCon Chronicles Vol. 11. I might have bounced out of my skin when Timmi Duchamp asked me! I've themed it "Trials by Whiteness" and I'm hoping to get a range of pieces that'll provoke conversations about the different viewpoints in the community. 

Monday, November 21, 2016

LosCon 43 panels!

I'm going to be at LosCon43: Starship LosCon! Click for my schedule of panels, and come out to see me! I'll also be tabling for the Eaton Special Collection of UC Riverside. We'll be showing off some of our items, and telling you all about the cool science fiction research that you could be doing with us!

HIDDEN YOUTH release and illustration!

My latest publication is Hidden Youth: Speculative Fiction from the Margins of History! And the book is officially out November 21, 2016!

My story "A Name to Ashes" will be the second story you'll read in the book, and it has this marvelous illustration by Alice Meichi Li! Alice is a Chinese-American artist based in New York City, and we talked a little about representation over Twitter. I love the illustration so much! Here is the black-and-white version you'll see in the book:

© Alice Meichi Li!
My story is about a young clerk who accompanies the historical Chen Lanpin on what would be known as the Chinese Commission to Cuba of 1874. Excerpts from the results of this report have been translated. I first learned about it when taking a class on race and racism in the United States, in which the professor gave us a transnational view of how slavery and indentured servitude created rifts and alliances between various groups. Our textbook for this segment of the course was Lisa Yun's The Coolie Speaks. I came across the Denise Helly translation, from 1993, through a generous donation by a professor who happened to have it and didn't need it anymore. (It is now extremely expensive to buy.)

This is a Hungry Ghost story. I got really tired of how white Westerners portray Hungry Ghost Month (I suppose it is a day these days in most places, but in Malaysia it is, still, culturally speaking, a whole month!!!) and I really wanted to write a story about the coolie trade, which I hadn't known about. The English translation of the report was extremely exhausting to read, because it's mostly a catalog of death and dying. But it's also about naming the people who died, reclaiming them, refusing to let their lives be written over. Many of these coolies were hoping that the commission would send word back to the families of their fallen. Almost all of the names in the story were drawn from actual instances recorded in both these books. You can read more about the story in this post.

I haven't had time to read the rest of the stories yet, but I'm really excited to be in an anthology with P. Djeli Clark! I'm a huge fan of his blog and his pop culture commentary, and his latest short story, "A Dead Djinn in Cairo" is a delight!

Sunday, October 30, 2016

"Mana Langkah Pelangi Terakhir" goes live!

Interfictions Online, a journal of interstitial arts, has released their latest issue! This issue includes an interview with Tade Thompson by Sofia Samatar, poetry by Neile Graham and Jeanne Hall Gailey, as well as a new short story by Nino Cipri

I'm so pleased that my story, "Mana Langkah Pelangi Terakhir? (Where is the Rainbow's Last Step?)" is in such great company!

"Langkah Pelangi" is inspired by a dream I had in which I found a friend in a jail far away from home, and the last I saw of her was in a sampan punting off to sea. I get home to discover that she has died, and been mythologized. And I thought, wouldn't that be kinda crazypants to live in a work where the collective imagination could have so much power, that a dead person could become a myth that never dies? What if that was literal?

I had a lot of trouble with this story. It bounced off a couple of places, and each time I revised it, and then revised it some more upon a friend's feedback, and then again after some time had passed. I'm very glad it found a home! Thanks so much to the editors who gave it a chance. 

Wednesday, September 28, 2016

Forthcoming publications

I don't usually announce when I've signed a contract, and tend to announce future publication news only when I have a Table of Contents to share, but it's coming into the last quarter of 2016, and I'm putting together my CV and had to count up my forthcoming publications. The other day I thought I had three. But no, upon further reflection, I actually have four. 

"Mana Langkah Pelangi Terakhir," translated one way into "Where Is The Rainbow's Last Step," will be out in the Fall issue of Interfictions Online. It is about what might happen in our world where, if enough people dream the same thing and relate the same stories enough times with enough conviction, even if it isn't true or possible, it will come true. Our heroine is a journalist trying to make sense of this in light of a colleague's re-appearance. I tend to forget about this one because it's already fall so I kind of think it's already out, except it's not, just yet! 

"A Name To Ashes" will be in Hidden Youth: Speculative Stories from the Margins of History, the follow up to Long Hidden, edited by Mikki Kendall and Chesya Burke. A young clerk joins the Chinese Imperial Commission to investigate the coolie trade in Cuba and find a missing sibling. It is inspired by Lisa Yun's The Coolie Speaks.

"The Reset" will be in Sunvault: Stories of Solarpunk and Eco-Speculation, edited by Bronte Wieland and Phoebe Wagner. A young grad student is caught up in her professor's unfortunately successful experiment to 'reset' the world to its physical state 30 years before, and she observes and deals with the consequences. This was inspired by a conversation I had with my father. 

"The Last Cheng Beng Gift" is my latest sale, and to Lightspeed Magazine! Written in my first week of Clarion, this story is about a matriarch in the afterlife who receives an unsatisfactory Cheng Beng (or Qing Ming) gift from her wayward daughter. Apparently "disappointing children" is a recurring theme in my fiction! Perhaps that can be the title of a future collection. 

I'm all giddy for when these stories come out so I can share them!

Tuesday, September 20, 2016

"Crocodile Tears" goes live!

My short story "Crocodile Tears" is now live at the Lightspeed Magazine website!!!

In addition, I got a little author spotlight as well! Thanks to my editor Wendy Wagner, and to EIC John Joseph Adams for publishing this!!

Thursday, September 15, 2016

From Writer to Writer

It's my birthday week--I have resolved to start on the day before (especially here in North America, because I was born in Malaysia, so my birthday is always 12 hours behind here!) and celebrate it all the way to the end of the week. This started sometime in my late 20s, because the surprise that I am still alive past the age of 21 somehow doesn't lift. I'm always a little outside my body at this time of year: how did I make it this far? In my teens I was convinced I would be dead by now, because at that age I simply couldn't see past 21. 

Yet here I am. Part of a small family of writers and readers, with friends who are delightful and creative and kind and sweet. Among this family's ranks is S. Qiouyi Lu, who I met on the Tumblr, and who has since blossomed into a wonderful poet! Their poem "Meat Bone Tea," based on the legendary bak kut teh soup I've made for the both of us on the occasion of their being back in California, was recently published by Uncanny Magazine. It is a wonderful meditation on the landscapes of food, its visual delight and the emotional weight that feeding another person carries. Cooking for someone else, a sit-down meal, a beloved recipe, a kind of comfort food borne of generations of experimenting with handy herbs, is one of the best acts in the world. 

I'm so happy for Qiouyi on their latest publication! Perfect addition to my birthday week celebrations! They are so talented and I look forward to more of their work, and you should, too. 

Thursday, September 1, 2016

Lightspeed #76 goes live!

The latest issue of Lightspeed Magazine, containing my short story "Crocodile Tears" is now live! If you have a subscription you'll be able to read it immediately, of course. If not, you can subscribe to this fine magazine or buy it as an individual ebook! There is also a schedule for when it's released on the main website--"Crocodile Tears" is out on the 20th of September and I shall be sure to post a direct link to it as soon as I can! In the mean time, you can enjoy other marvelous stories in the issue ^_^

Tuesday, August 9, 2016

Call for Submissions! The WisCon Chronicles Vol. 11: "Trials by Whiteness"

"I was chosen for the Constitutional Convention!" is generally how I feel about being able to say that I will be editing The WisCon Chronicles, Vol. 11!! The theme will be "Trials by Whiteness.

WisCon40 followed a seismic shift in the demographics of the convention. Following the success of the POC Safer Space, there is now a Genderqueer / Trans Lounge, and a Disability Lounge. Programming actively seeks a diversity of panelists. How have these changes come about, and what have their ramifications been?

The theme, "Trials by Whiteness" examines how what bell hooks calls the white-supremacist capitalist (cishetero)patriarchy has affected the feminism of WisCon and created difficult confrontations and conversations on the clashing perceptions of attendees. "Whiteness" refers to the position from which white supremacy operates. It has constantly moving goalposts by which everyone is measured. Whiteness does not refer only to white people; non-white peoples can also identify with this position and perspective. "Trials by whiteness" therefore, refers to all the problems people have to go through as a result of white supremacy, on various scales from microaggressions to abuse, whether institutionally or through individual behaviours.

I welcome essays and contemplations on the following:
  •  the changing faces of WisCon;
  •  the challenges in transmitting and sharing knowledge across generations;
  •  clashes of ideology, theories, and/or practices as feminism grows; 
  •  panel reports;
  •  nice listicles, for example suggestions for how to ally with (and not over!) the various folks that come to WisCon!
I encourage personal essays, poems, or roundtable discussions that deal with any of the following, especially in the context of WisCon and within the SFF industry:
  •  dialogs and difficult conversations about the rising discomfort of white SFF fans; 
  •  intra-community conflicts within marginalized groups, which we fear to discuss because we fear whiteness turning these conflicts against us;
  •  spillover of hegemonic whiteness onto other forms of oppression, such as disability, class, and gender expression;
  •  productive outcomes of difficult conversations, e.g. Nalo Hopkinson's Lemonade Award;
  •  what DID happen over the summer before WC39? for good or for ill, how did that affect WisCon40?
Further afield, I am a big fan of Academic Lite articles and welcome experimental and non-academic forms discussing the following topics:
  •  how POC and conditionally white people are treated by people comfortably entrenched in whiteness;
  •  the internalization of white/Eurocentric standards and difficulties of unlearning them in order to recognize oneself, whether as part of the system, or apart from it;
  •  the challenges of being a white person confronting whiteness and demonstrating solidarity and good allyship, earning trust;
  •  uncovering whiteness, the ramifications of naming it and dealing with the cognitive dissonance that it demands.
While this anthology does center the POC gaze, I am also interested in white essayists interrogating these difficult subjects from the intersections of their identities as well.

Don’t reject yourself—that’s my job! 

I am particularly interested in articles that are conversations, especially between newer and older attendees, between attendees who identify differently, or in response to WisCon events. For example, attendees of color and white attendees who attended the Hamilton Sing-Along. Pitch me! 

Send pitches and submissions to jhameia.goh(AT) with "WCC11: [title]" in the subject line. DOC / DOCX / RTF. Submissions open Aug 15, and close Oct 31. Pitch me anytime; all pitched articles should be in by November 15.

Lightspeed Magazine Publication!

I'm pleased to announce that I'm in the September 2016 issue of Lightspeed Magazine! I sold the story last year but generally refrain from announcing anything official until I see a table of contents. And wow! I'm sharing a TOC with An Owomoyela and Nisi Shawl! Also Maria Dhavana Headley, who I had the chance to participate in a class Skype session with while I was at Clarion! 

My story, "Crocodile Tears," will be familiar to attendees of the reading I did with Nisi Shawl and Sam J. Miller this past ICFA. It's a combination of two of my favourite Malay folktales, the story of Si Tenggang, and the story of the old woman and the crocodiles. This will be the second story this year with crocodiles who are not mean and nasty (the first being "Anak Sungai" at Truancy).

I hope you enjoy "Crocodile Tears"!

Friday, June 24, 2016

"Liminal Grid" On Best SF Reading Recs List!

Neil Clarke, publisher of Clarkesworld, is editor of the Best Science Fiction of the Year: Volume One from Night Shade Books this year. He selected a range to be published in the anthology, and since it apparently doesn't encompass everything he wanted, he also has a recommended reading list for best science fiction of 2015. "Liminal Grid" is on that list!

Thursday, June 16, 2016

Hidden Youth, Hidden Histories, and Names

And I'm in it!

Lim Jia was raised by the local monks, and has the ability to see the spirits of the departed. Jia joins the Chinese Commission to Cuba as a clerk to search for a long-lost brother, and finds many others long lost in the process.

Thursday, June 2, 2016

New poem!

I'm pleased to announce that I'm in recompose magazine #1: tropospheric scofflaw! And very very honoured that my poem, "Sweetness and Light," opens the magazine to a set of very interesting flash fiction!

"Sweetness and Light" began with an idea of the very first two lines: "when she speaks, sweetness and light spill forth / literally." What would that be like, to live like that? Combined with rape culture and the entitlement of society towards young women's bodies and time, I decided to explore what would happen if boundaries were crossed too often for a person who lived with this phenomenon.


Friday, May 20, 2016

WisCon40 Schedule

I will be attending WisCon40! Here is my schedule for the weekend:

YES, Our Stories Matter: Encouragement and Support For Creators With Marginalized Identities
Friday, 4pm - 5.15pm, University C
Jaymee Goh (M), Riley, Alex Jennings, Mark Oshiro, Susan Simensky Bietila 
Marginalization affects our success as creators, oppression impacts our ability to create and can grind us down. At the same time, encouragement can come in many ways, from reader comments to supporting each other as marginalized creators. Let's discuss issues like: Why do you keep creating? When do you know you've touched someone with your art? How do you recharge after a setback? How can we support each other within and between different marginalized groups? When it feels like the whole world is telling you that your story doesn't matter, where do you find the strength to pick up the pen?

The Downsides to Maker Culture
Sat, 9:00–10:15 pm, Conference 1
Georgie L. Schnobrich (M), Candra K. Gill, Jaymee Goh, Effie Seiberg
Maker culture as promoted by BoingBoing and others has a great deal of appeal to fans (robots, DIY, what's not to love?) but what are its underlying assumptions? Deb Chachra* declared that she is not a "Maker;" critiquing Maker culture as valuing certain forms of making over others (i.e. traditionally male forms of creativity like electronics vs. traditionally female forms like knitting) and which also values creation over other forms of contribution to society (like caregiving). Does it reinforce divisions based on class and entitlement as the ability to make also suggests that the maker has both the time and money to create? Does it indeed reinforce the idea that traditionally male roles are better? *See

Science Fiction in Translation
Sun, 10:00–11:15 am, Caucus
Jaymee Goh (M), Arrate Hidalgo, S. Qiouyi Lu 
As Anglo SFF as a whole becomes more aware of the Rest Of The World, translation projects seem ready to see a boom. Let’s hear it from translators: how difficult is it to translate SFF concepts from one language to another? What trends are we noticing in what types of stories get translated, from which regions? What SF-nal influences are visible across borders? What can readers and editors do to increase the amount of translated fiction in the genre's magazines?

Asian Ancestresses
Sun, 1:00–2:15 pm, Conference 1
Jaymee Goh (M), Emily Jiang, Mary Anne Mohanraj 
From Mulan, to Begum Nur Jahan, to Princess Shirin, to the Lady of Mount Ledang, the mythologies and histories of Asia are filled with women who tower large, rivaling the men of their times despite the unequal footing. How were their stories told to us when we were children? How did we find out more about them? What lessons can we take from their stories? And how do we re-tell them and partake in their legacies today?

Women Writing SFF, All Around The World!
Sun, 2:30–3:45 pm, Wisconsin
Jaymee Goh (M), Jackie Hatton, Arrate Hidalgo, Emily Jiang, Justine Larbalestier
A reading recommendation panel! What books would be of interest to WisCon members? Whether Anglophone, in translation, or in different languages, from Indigenous to diaspora works, let's share SFF we've read recently that encourages USian WisCon members to step out of our cultural bubbles.

Sunday, May 8, 2016


In loving memory of Goh Mei Mei, passed 4/4/16

Saturday, May 7, 2016

Clarion UCSD

Unlike many other people, I didn't apply several times. I apply only for specific line-ups. 2012 was, as I recall, a "year of Asians" with Hiromi Goto teaching at Clarion West, and Ted Chiang and Marjorie Liu teaching at Clarion. Before that, Kelly Link and Gavin Grant were teaching Clarion West, and I highly respect Small Beer Press and wanted to learn from them about the founding process. In general, I've been quite confident in my own skill and learning ability in writing fiction that I can sell. Clarion and Clarion West are highly competitive, and to be sure, there are very many deserving writers who don't get in. Every rejection I received, I would get bummed, and someone would gently remind me, there are other ways of succeeding in the writing world, among them the slow and steady track I've been working on for myself. 

This year, I decided to try for Clarion because the instructor line-up (Kelly Link, Ted Chiang, Andy Duncan, Victor LaValle, Delia Sherman, and Ellen Kushner) was too much to resist. Also, I'm in my 4th year of my PhD, my dissertation is being written, and I intend to leave Southern California soon after. San Diego is just a scant bus ride away!

I also resolved that if I didn't get into Clarion this year, I would never try again, since I would no longer be in California, and hopefully not even in the country.

Sunday, May 1, 2016

Happy Birthday to a Very Fine Publisher!

It's Bill Campbell's birthday! I am now going to tell you a story about him:
I first heard of him through the MOTHERSHIP call for submissions, and I was like "well, cool, but I got nothin' for an Afrofuturist anthology." Was totally going to buy it, though.
Then suddenly Bill's in my inbox all, "hey, you wanna send us something?" And I'm like "whut, me??" because at the time, I had nothing, just a ranty blog and one steampunk story, and there wasn't much of a market for steampunk stories set in rather obscure countries back then, but Bill says, "yeah, you" so I send it to him anyway.
Next thing I know I'm in a book with people I have crazy respect for like Nisi Shawl and Sofia Samatar and Nora Jemisin and Silvia Moreno-Garcia. I'm sharing space with people I didn't know like Minister Faust and Ernest Hogan and Daniel José Older and Chinelo Onwualu who I hadn't met yet, hadn't known about, but are trailblazers in their own right, and I got a chance to meet them later on. I'm in a TOC with folks like Linda Addison and Indrapramit Das and Anil Menon and JUNOT DIAZ and my brain is breaking but I don't notice because I'm too distracted by the awesome cover by John Jennings.
And I thought, well, that was a cool fluke.
Two years later Bill's knocking at my inbox again, all, "hey, seen you and Joyce keep talking about this anthology of Southeast Asian steampunk. You really wanna do it?" Why was Bill watching me and Joyce blather into the aether of Twitter, I don't know, but there he was, and now here we are, with The Sea Is Ours. It's not a star-studded TOC like MOTHERSHIP was, but Bill likes it anyway, and off we go to the fundraising races and printing.
Now we're fundraising to push out a whole new bunch of comics and books, which include SUN DRAGON'S SONG by Kim Miranda and Joyce Chng, BREAD & BUTTER by Liz Mayorga, and CRUSHED by Trinidad Escobar. THE ASSIMILATED CUBAN'S GUIDE TO QUANTUM SANTERIA by Carlos Hernandez, VOICES OF MARTYRS by Maurice Broaddus.
(Who are these people? Who's this random Chicana/Filipina/Latino artist/writer? Are they big enough a deal to hustle for? What do they have? What does that matter? These are the kind of people Bill Campbell's gonna hustle for. Because Rosarium Publishing has always been about finding POC talent and hustling for them. Me and The Sea Is Ours isn't a fluke in Rosarium, it's just how Bill works. It's built into how Rosarium is formed.)
Some people do and and some people don't know about how hard it is for people of colour in North American genre publishing. There's too much of a monopoly, there's too little profit to be made, too much debt and risks involved, too little incentive for the top dogs to change. And so here we are, Rosarium Publishing, a little POC-driven, POC-centric outfit trying to make it alive in a sea of monopolies and find a way to be sustainable, which takes time and capital that we don't actually have. As an indie press, Bill is hitting up all the cons and fests trying to appeal to various audiences at one go. We got a distributor taking a risk on us.
And we ARE a risk because we don't necessarily speak the same language as the rest of mainstream genre. Those of us researching critical race theory and racialized bodies in science fiction, and creative writing as a person of colour know how hard it is to speak across borders and languages, how rare it is to have an outfit in which the marginalized and the borderlands form the core. Diversity is usually the afterthought (the thought after "quality" and "profit" as if "diversity" doesn't have the same concerns).
So if you've liked anything Rosarium has put out, MOTHERSHIP or STORIES FOR CHIP or THE SEA IS OURS, or any of the really cool comics like THE LITTLE BLACK FISH or BLUE HAND MOJO or DAYBLACK, then please support us! Give to the IndieGoGo (and pre-order some cool stuff at the same time! Never let it be said you got nothing for giving something to us), tell your friends about us, or just Share this post, and help me say a big HAPPY BIRTHDAY to Bill Campbell!! -->>

Tuesday, April 5, 2016

AnomalyCard FlashFic

As one of the Author Spotlights for AnomalyCon 2016, con chair Kronda Seibert invited me to participate in the AnomalyCards, a set of postcards distributed at random, to be traded with other attendees for the whole set. Writers would contribute a flash fic, and artists would illustrate them. This sounded like a fine idea, so of course I sent in a thing!

Here is the result!

Thursday, March 10, 2016

Fancy Women's Magazine

I was recently invited to partake in a roundtable of sorts for International Women's Day at ELLE Malaysia, and was asked the question, "what is the greatest problem facing Malaysian women today?" 

What a giant question! With no easy answer, and one either is going for incomplete, or totally pithy. I decided to go high abstract instead. It feels strange to read the other responses; my answer is so incredibly academic in comparison. Times like this, I worry that maybe I'm too academic. But it was an interesting challenge all the same!

Monday, March 7, 2016

New Short Short Story Publication: Anak Sungai

A short short story I wrote, "Anak Sungai," is now available to read at Truancy #2. Truancy is a venue for fairytale re-tellings, re-castings, re-creations.

I share a table of contents with the incredible Vajra Chandrasekera, fellow Malaysians Eeleen Lee and Sukhbir Cheema, and the lovely Mari Ness and Sarah Yasin!

"Anak Sungai" is what my friend Munira calls "cerita rakyat moden." "Cerita rakyat" more properly translates to "folktale"; a direct translation is something like "tales of the citizenry," ha! It's the story of a river going out to sea. The animal names are in Malay, because I wrote this first and foremost for the audience that reads Malay and English at once!

Wednesday, March 2, 2016

ICFA Appearance!

I'm pleased to say that I am an invited author to the 37th International Conference of the Fantastic in the Arts this year!

I will be reading at 10.30am on Thursday, in Author Readings IV, Vista A! The chair will be Rachel Swirsky, and my co-readers are the inestimable Nisi Shawl and Sam J. Miller!! I think our outfit theme will be green. 

Not only that, but my co-editor Joyce Chng will also be attending! It's her first North American appearance so I'm very excited to see her on this side of the Pacific for once.

Please come! 

Thursday, February 18, 2016

Hidden in the "Liminal Grid"

So now that "Liminal Grid" has been up for a few months now, I guess I should talk about some of the things I wrote into the story that are very personal to me!

Wednesday, January 27, 2016

Thanks, Strange Horizons Readers!

This is a bit late (been busy) but the results of the Strange Horizons 2015 Readers Poll came out, and "Liminal Grid" is #3 in the fiction category!!! I'm stoked to be on the same list as my friend Gabby Reed, a tremendous writer.

Also on the poll lists are incredible poems by Rose Lemberg and Shweta Narayan, and Rose's incredible article on using folklore in fiction!

Congrats to all the winners, and thanks for voting, readers!